Spoiler Scale (How spoilery is this article on a scale of 1 to 10?): 2 As the modern god (or devil) of middlebrow cinema, writer/director Christopher Nolan’s primary strength (or weakness) is his penchant for abbreviating the narrative beats.  And this aspect is indispensable (or overdone) in his latest film, Interstellar, where time is relative and characters need to traverse galaxies ... Read More »